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CHRISTIAN LÖFFLER

(DE)

SWIMMING PAUL

(FR)

MYDY – ONE LAST HURRAH!

(CZ)

MOIMIR PAPALESCU & THE NIHILISTS + THE STYLISTS

(CZ)

techno pilates

(cz)

CAMELPHAT

(UK)

PEGASSI

(BE)

MATT HANSEN

(US)

YOUNG THE GIANT

(CA)

P/\ST: křest alba FOTR

(CZ)

Drum & Bass Pilates

(cz)

Hard Dance Vol.6 - Groove Edition

(CZ)

BEAUZ

(US)

NEMZZZ

(UK)

ADRIÁN MILLS

(ES)

REFEW BIRTHDAY PARTY

(CZ)

1991

(UK)

Halloween: Haunted house

(CZ)

SLOW PILOT TRIBUTES JEFF BUCKLEY

(BE)

RAZORLIGHT

(UK)

LENNY - ONE NIGHT ONLY

(CZ)

MANDIDEXTROUS PRESENTED BY LET IT ROLL

(UK)

GREY256 ON TOUR 2026

(CZ)

RIRIA & YUNG SINGH

(JP) & (UK)

OHM SQUARE 30

(CZ)

BRATŘI

(CZ)

EAGLES OF DEATH METAL

(US)

AGENTS OF TIME

(IT)

LEFTFIELD

(UK)

VIEZE ASBAK

(NL)

XZIBIT

(US)

SOLD OUT: COLORFACTORY

(CZ)

COLORFACTORY

(CZ)

X CLUB.

(AU)

TINLICKER

(NL)

VENJENT

(UK)

MCR-T

(DE)

KANINE

(UK)

NERVY

(UA)

SOLD OUT: VOILÀ

(US)

ADAM BEYER

(SE)

CATCH YOUR BREATH

(US)

FLOOR JANSEN

(NE)

WHITECHAPEL, SYLOSIS, 200 STAB WOUNDS, TRIBAL GAZE

(UK)

KOVACS

(NL)

CANN

(CZ)

DAFT FUNK LIVE

(UK)

THE HALO EFFECT, LACUNA COIL, OMNIUM GATHERUM

(SE/FI)

PALACE

(UK)

ELY OAKS

(AT)

SON LUX

(US)

EIVOR, RABBITOLOGY

(FO)

JORDAN RAKEI

(NZ)

POMME

(FR)

LAMBRINI GIRLS

(UK)

#roxyprague
cz

BAXTER DURY (UK)

Doors 19:00
Support mmnk
Vstupenky: 880 Kč

Event by Fource

When the eighth album is the best: Baxter Dury organizes a party for experienced musicians in Prague

It was Sunday June 28, 2024, and Baxter Dury had just stepped from a rapturously received set on The Park Stage at Glastonbury Festival. After towelling himself down, a familiar figure approached him backstage. It was Paul Epworth, the lauded producer/songwriter whose creations have draped themselves across the airwaves of the 21st century more successfully than any other Briton. You’ll know his work from huge global hits with Florence + The Machine, Glass Animals, Paul McCartney, U2 and, most significantly, Adele.

Together they dreamt up Allbarone’s nine-track tour-de-force, stripping everything away and building Baxter’s most melodically direct, futuristic collection in intense three-hour daily shifts throughout December and January. “It’s more than genius really,” says Baxter of Epworth. “It’s like he’s telepathic or something; he sees music in a shape and form that nobody else I’ve ever met does. He doesn’t care what you think: he just wants to make it brilliant, otherwise it goes in the bin.”